【欧洲·斯洛伐克】多声部合唱 Multipart singing of Horehronie2017年）

Horehronie的多声部唱法的特点是，唱前的独奏旋律多变，唱诗班的回答更加静态，无论是男性还是女性。歌唱的高潮是由两个或三个部分组成的、相互交织的、变化丰富的平行旋律；每一部分都呈现出最初旋律公式的变化。歌曲类型与农业工作、家庭周期和历法事件有关，新歌曲的出现是对影响人们生活的社会事件的回应。承载者和从业者是相关村庄的居民以及更广泛的公众。民间多声部歌唱被认为是一种具有地方特色的现象，它提供了一个群体放松和社交的机会，有助于整体社会凝聚力，并让人们对自己的地方传统感到自豪。持票人通过实践并在定期的跨代交流中使用这一元素来认可这一元素，并通过在庆祝和仪式、教堂表演、地方节日和歌舞工作坊中自发唱歌来体现其可行性。这种做法主要通过家庭圈子、非正式教育以及当地民间团体、地方市政当局和个人歌手的努力代代相传。

2017年度列入人类非物质文化遗产名录。

来源：联合国教科文组织亚太地区非物质文化遗产国际培训中心

The Multipart Singing of Horehronie is characterized by a variable solo melody of pre-singing and more static choir answers, either by men or women. The singing culminates in intertwined parallel melodies with rich variations, consisting of two or three parts; each section presents a variation of the initial melodic formula. The song genres are associated with agricultural work, the family cycle and calendric events, and new songs arise in response to social events affecting people’s lives. The bearers and practitioners are the inhabitants of the villages in question as well as the broader public. The folk multipart singing is perceived as a characteristic local phenomenon, which provides an opportunity for relaxing and socializing as a group, contributes to overall social cohesion and gives people a sense of pride in their local tradition. Bearers endorse the element by practising it and using it in regular cross-generational exchanges, and its viability is manifested through spontaneous singing during celebrations and ceremonies, church performances, local festivals and singing and dancing workshops. The practice is transmitted from generation to generation mainly in family circles, as well as through informal education and thanks to the efforts of local folklore groups, local municipalities and individual singers.

Included in the list of human intangible cultural heritage in 2017.

Source: UNESCO International Training Center for intangible cultural heritage in the Asia Pacific Region